WORK & LISTENING
(for the music)
Listening notes on the five facets. Sync, licensing, DJ-pool, radio play, festival programming. Remix requests answered case by case. Vinyl pressings handled in correspondence with the writer.
Write to the Imprint · MMXXVI
CORRESPONDENCE
Three routes, one desk.
Letters answered slowly and in order.
No forms. No tickets. Plain mail to a real person.
The Desk
Write to the address that fits what you have to say. Each one is read by the same hand.
RESEARCH & PAPERS
(for the mathematics and theory)
Questions on the Budapest Programme — aperiodic substrates, Pisot substitutions, the 55-conjecture, GPD. Questions on the Kolláth MetaPrism Theory. Reviewer enquiries on submitted preprints.
PRESS & CURATION
(for the imprint as an entity)
Interview requests, label features, gallery and exhibition curation, longform editorial. Speaking and lecture enquiries. Anything that treats the imprint as a public body of work.
Channels
Five places where the work is read, heard, or filed in public.
Bálint Kolláth
Substration · Budapest
47.4979° N · 19.0402° E
All three routes arrive at the same desk. The desk is in one room.
Letters are read in the order they arrive, by candlelight, after the working hours.
The map was not the territory.
The map was the territory learning its own name.
— Bálint Kolláth · Substration · MMXXVI